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I’ve been back from New York for over two weeks already. I keep meaning to sit down and write this post and somehow it never gets done. A great pile of things I mean to do or need to do and somehow they never get done. Which is how things are these days, I suppose, and nothing to do but get used to it, get better at it. Learn to love the to-do list. Or somesuch. No matter how overwhelming. All of these things that are overwhelming are things I asked for, things I wanted (and want) desperately. And so what else is there for it, yeah?

Anyway… Yeah, so I went to New York to promote The Revolution of Every Day at Book Expo America. And it was good. Oh, my friends, it was very good.
morus
I hadn’t been home in two years. Yes, I live in Portland now, have done so since September 2007. But New York is home. I know that now. I think I was a little hazy on it before this trip, wasn’t sure where, exactly, I belong. I can now report back as follows:

I belong in Portland, but New York is home. New York will always be home. City of my birth, city of my heart. All that. I walked through the familiar old streets and felt the city in my bones in a way I don’t think I will ever feel Portland. Which is not to denigrate Portland. But it doesn’t buzz through me in the same way, can’t possibly. I was never three years old in Portland. I was never twenty-three years old in Portland. I’m rootless here in Oregon, in some of the most fundamental ways.

And still, I love it here. And still, it’s the right place for our family.

And New York, my beloved hated home, has changed so much and is no longer the place we would want to raise our family (a longer story there, and I’m working on an essay about it; stay tuned). So there’s that.

But for a week I was there without Billy and without the kids, and I was completely myself without dependents again, as I’d been for most of my time in New York before. And I had productive meetings and a great time signing galleys at BEA and a successful reading, and I saw nearly all of my closest friends and family, and it just couldn’t have gone better than it did. It was interesting, though, to be in the city again without Billy and the kids, to be rushing around to various publishing-related activities and so basically around the same people I’d worked with back then (including seeing my favorite past boss at BEA!) and seeing the same friends I’d always seen back then, then going home to an empty Manhattan apartment (my generous mother-in-law’s, as she was in Portland helping Billy with the kids). And so I got a glimpse of what my life would have been if I hadn’t gotten married and had kids, if I’d stayed in Manhattan and kept working in publishing. And you know what? As wonderful as it was to be with my friends and have that freedom of movement and to have that apartment to myself at the end of a long day, it was, ultimately, pretty empty. I missed the noise and the mess and the need of Billy and the kids. So there’s also that. It’s comforting to leave your crazy overwhelming life for a while and find that you actually prefer it.

morus boltcutter

The event at the Museum of Reclaimed Urban Space (MoRUS) was absolutely amazing, though not without some snags. The museum is located in the storefront of C-Squat, one of the last remaining squats on the Lower East Side. We’d originally planned the event for the basement performance space, which is part of the squat rather than the museum, but which we’ve always been able to use for events without problem. (I say “we” as a member of the museum collective, though my participation in most events is remote support, since I volunteer from Portland of course.) The backspace is larger and visually cooler than the storefront space, but more important it is thermally much cooler, since it’s the basement. It was in the high nineties that week in New York. As it turned out, we couldn’t use the backspace of C-Squat because…well…someone was squatting in it. Heh.

And so the museum storefront it was. We had a crowd of 50+ in that small space, standing room only and people sitting at our feet as we read. The single portable AC unit and the fans we brought in just weren’t up to the task and it was impossibly hot and sweaty. But people stayed, sweating it out to the very end! I’m so grateful for that. And it was such an honor to be there with Frank Morales and Fly and Peter Spagnuolo. (Look for Peter in an upcoming Writer, with Kids post. He’s one of my new favorite humans.)

Housing rights and squatting activist Frank Morales

Housing rights and squatting activist Frank Morales

Poet and former squatter Peter Spagnuolo

Poet and former squatter Peter Spagnuolo

Peter gave me a copy of his latest chapbook. He was one of the leaders of the 13th Street squat resistance that inspired my novel, so needless to say his inscription means a great deal to me.

Peter gave me a copy of his latest chapbook. He was one of the leaders of the 13th Street squat resistance that inspired my novel, so needless to say his inscription means a great deal to me.

Me!

Me!

Now I’m settled back in Portland, wrangling kids and the house and the writing and the pre-publication work, only slightly homesick for New York. Eager to get back in October for the book launch! Things are shaping up in that regard. Details soon!

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Writer, with Kids: Shane Jones Revisited

Shane Jones was kind enough to take part in this series as its first “Writer, with Fetus.” His son has since been born, and Shane’s had a while to navigate the transition to the life of a writer/parent. I’m very glad to offer this follow-up interview now.

shane and son

Shane Jones, author of: Light Boxes, Daniel Fights a Hurricane, Crystal Eaters (forthcoming 2014 from Two Dollar Radio).

Age of kid: 8 months.

 

How did the transition to parenthood go? Have you settled into a new writing routine?

I love being a father, but why doesn’t anyone talk about how difficult the transition is? Before Julian arrived, everyone said things like: “You’ll do what you have to do,” “It’s hard, but you’ll get through it,” and “It’s going to be such an amazing experience for you two!” And all those things are true, but they didn’t help in the transition. I remember bringing Julian home from the hospital (after some mild complications and being in a hospital room for four days) and just this wave of “wow, he’s here forever” kind of feeling coming over me. The transition is very fast and really morphs the way you view things and changes how you approach the most simple tasks. For example, when you have a baby, and your wife or husband is at the supermarket because you haven’t eaten all day, and you have to go to the bathroom, where do you put the baby? What if you want to take a shower? How do you function on little to no sleep? What do you do with an infant all day and night? My wife stays home with Julian, so she’s had to tackle all these things and she’s done such an amazing job, but man, it’s hard. I think everyone kind of brushes over those first two or three months (which I think were the hardest so far) with generic positive sentiments. Fuck that. The transition to parenthood is going to blow up your world in the best and worst ways. It’s the most challenging and rewarding thing I’ve ever experienced. As far as a writing routine – no, not really.

 

Have you found that you approach your work differently now?

In the past I had a morning writing routine and an evening writing routine. I could also write pretty much whenever I wanted. Several weeks ago Julian started going to sleep early, by 7:00, so I have time after to write and read. I think the biggest difference is just not having the mind space to dream up ideas and work through ideas. When Julian is sitting in the playroom, throwing wooden blocks and laughing, it’s really all I want to watch and concentrate on. A lot of my time is spent holding him, playing with him, taking him for walks, etc. It’s really amazing to see him grow and discover everything. Before I was just sitting around a lot and thinking things like, “How can I get X to morph into Y at the end of the story.” I’m not writing as much as before but that’s okay. Julian is only going to be a baby for so long and I’d hate to miss things because I’m at the library working on a story about horse people. Also, to other fathers – put away your hobbies and selfish distractions because the mother of your child needs you more than anything. She pushed a human being out of her body and now she’s feeding it from her body. You can skip the Giants game.

 

What has been the most challenging aspect of finding the balance between parent and working artist? What most surprised you?

Switching mentally from writing head to parenting head. That’s still my biggest struggle and my wife is probably reading this and nodding. I still zone out and get lost in my writing head. For a while I was doing breathing exercises and telling myself to just be a fucking father, be in the moment, turn off the words inside. I think I’ve gotten better.

 

Do you have any advice to other writers with kids or who plan to have them?

Don’t start any novel length projects for the first year and don’t write anything at all for the first three months. Most likely, you’ll be so exhausted, writing will probably be the last thing you’ll want to do, but eventually you’ll get the itch. You’ll also need the escape. So, slowly ease back into it. Don’t make plans to write, rather, find little pieces of time to write (one good piece of advice I received early on was to “sleep when the baby sleeps” but if you’re hardcore, you could flip this to, “write when the baby sleeps”). Telling your husband or wife you need three hours to write, you’ll be in the office with the door closed from 12-3 and need absolute silence, might not be the best idea.

 

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Posted in parenting, Shane Jones, Writer with kids, writing

Writer, with Kids: Kasey Leavitt

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Kasey Leavitt, author of: Immaculate, a novel, and several short stories. Am just now sending them out into the world.
Ages of kids: 4 and 1

What was your writing schedule (ideal and actual) like before kids, and how has that changed?

This question makes me laugh a little because I never had a writing schedule before kids. In many ways, I was a fool with my free time because I constantly overcommitted myself to things other than my art and found myself depleted and angry, without ever knowing why. I wrote in fits and spurts thinking I just didn’t have the time for it (though, in retrospect I had so much time; I just lacked discipline). Nothing ever stuck and it made me even more disheartened.

Then my son came along and he presented so many challenges, such as colic and his apparent need to survive without any sleep. I thought I was going to go insane. I was miserable and was, in turn, making my husband and my son miserable. I needed something for me, something to fill me back up. So, I turned back to writing.

Having a baby made me an incredibly efficient person. I can do more in five minutes than pre-child me could do in an hour because now I know the value of my time. I developed a regular writing schedule. Every other day, I got up at 5 a.m., fed my son, and then started writing after putting him back to bed. It gave me an hour and a half to two hours to myself to just write. It was heavenly.

Then I got pregnant with my daughter and I struggled to find time. Pregnancy knocks me out. Between that and a move, my regular practice dwindled. Now that she’s just over a year, we have a good rhythm going. I work full-time, so we have a nanny. I try to use the first hour of nanny time to write and then I write after the kids and my husband go to bed. It doesn’t happen every night, but I try to do it at least 3-4 nights a week. The daytime writing depends on my work schedule.

Once we get past the terrible up-all-night, waking-before-6-a.m. phase, I will return to writing in the mornings because that is my preferred time.

How do you remain present for your family even when you’re sunk deeply into a current project—say in the sticky middle of a novel’s first draft?

This is particularly difficult for me. I live so much of my life in my head. I always have. In an effort to stem the stress in my life, I started meditating many years ago. Through that practice, I’ve learned a lot about being present in the moment. When I’ve noted that my attention is somewhere other than my kids, or my kids have noted it for me by acting out, I gently bring my attention back to them. I do this over and over, as many times as it takes.

Sometimes an idea nips at me like our puppy (did I not mention the puppy and the fact we must be insane to have a puppy, too?). I keep a voice recorder and/or a pen with me at all times so that I can record the thought and then return to the kids. I now have a sizeable collection of voice and paper snippets. It helps, though, to get the thought out and then go back to them. I’m not perfect with it and they know that sometimes they have to share mama with the characters in her head. So, I’m taking a harm reduction approach and starting a therapy fund instead of a college fund.

How has parenthood changed the work itself, if at all?

Parenthood has made me braver and more honest. When it hit me that two people are counting on me to be an example of how to tackle life and the world we live in, I got serious with myself. I grew up in a house where I lived in the shadow of the things my mom wanted to do and never did. I don’t want to do that to my kids. Instead, I want them to see that dreams aren’t for putting on a shelf and glancing at sometimes when you think no one is watching. Dreams and passions are what make life worth living. My goal is to be a living example of that.

So I carve out time for writing. It’s non-negotiable. As a result, I now have several short stories to send out and a novel. It’s amazing. Despite the general idea that you can’t write with small children, I’ve actually written more pieces and of better quality with small children.

What is the most challenging aspect of being a working artist and a parent?

The most challenging aspect is probably the balancing act of fully loving my children and husband and making sure I’m caring for myself. I consider writing to be a vital part of self-care. Some days I feel selfish taking the time I do and with that comes guilt. But when I take the time and space I need to create, I am better able to be present and open and loving. I can put myself in the moment without worrying about whether my needs will be met. I never want to utter, “What about me?” with them, even if just internally. This is not to say that it hasn’t happened, because kids can suck you dry if you let them. I just try to make sure I’m set so I can give to them what I have to give.

Do you have any advice for other writers with kids or who plan to have them?

Like with parenting, advice on writing while parenting is varied and sometimes contradictory. Each of us speaks from our own experience. I have friends whose two small children are so chill my friends can play chess before a civilized, sit-down dinner complete with conversation and wine. If you have those kids, you don’t or won’t need any advice.

My children aren’t like that. Mine are part feral. If yours are too, my suggestion is to prioritize and to decide quickly what you can let go of. If you want to write, you’re not going to have time to keep a spotless house and cook gourmet meals every night. You probably won’t have a ton of time for friends, though you likely won’t be going out much anyway, at least while they’re young. You might also have to sacrifice time with your spouse. And you’ll definitely be more tired than you ever thought possible. But if you want it, if you need to write, these are the choices you’ll have to make.

Mostly, though, don’t ever let anyone tell you what you should do or what you need to do. And don’t let anyone tell you that you can’t do it with small children. So many people have told me to wait, to hold on just a bit longer. To begin with, I’m almost 40. I don’t know how much time I’ve been given and I’m not waiting anymore. Additionally, writing keeps me sane when I feel can’t possibly process another case for work or endure yet another night of no sleep. It can be done. Decide for yourself what you want and act accordingly. Be kind to yourself.

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Posted in parenting, Writer with kids, writing

Preparing to leave

This time next week I’ll be on the red-eye to New York to attend Book Expo America. I’ve never been away from the kids before. Look at these faces. How could I possibly leave these faces?

kids picnic table

I adore them. I’ll miss them terribly. I’ll probably miss them so much I’ll cry.

You know what else I’m going to do, though?

1. Eat when I’m hungry.

2. Not cook when I’m not hungry.

3. Eat with two hands, with no one sitting on my lap, and while my food is still hot.

4. Sleep alone.

5. That bears repeating: Sleep Alone.

It’s going to be an incredibly busy week filled with readings and signings and meetings and book parties and seeing friends and family, but there will also be moments when I’ll get to just be…alone. I haven’t been alone like that in seven years. I’m ready for some of that.

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The video that made me cry today

Members of Colectivo piloto made this video from footage they shot while visiting NYC and the Museum of Reclaimed Urban Space last summer. If you’re even remotely interested in the history of activism on the Lower East Side, the history of the squats and community gardens, don’t miss this.

“The building of a community” from Colectivo piloto on Vimeo.

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Writer, with Fetus: Kashana Cauley

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Kashana Cauley, author of: online short stories in Tin House and Juked, and soon-in-print stories in Esquire and Redivider. I just completed a novel about a lead singer’s attempt to sink his band’s fourth album and am working on another about a middle-class Chicago gun dealer who struggles with feeling connected to his clients’ crimes.

 

What is your writing schedule like now, and how do you anticipate it will change when the baby is born?

I write during the day. When my husband goes off to work, I flip my laptop open. I’m a dyed in the wool morning person and suspect that once the baby comes I’m going to have to be more flexible about writing whenever there’s a window.

Have you and your husband talked about making sure you each get time for your work/creative pursuits after the baby is born? What’s the plan?

Yes. He’s willing to take some weekend/evening baby duty so I can write, and I’m going to take care of the baby during the day.

Has your writing been affected by impending motherhood? How about your reading preferences?

I was going to say no, my writing hasn’t been affected, and then I noticed how much food and hunger have crept into my recent work. At the same time, I haven’t changed anything about how either violence or children are depicted in the novel I’m working on.

My reading preferences haven’t changed. Apparently the baby can hear me talk now, so he’s been privy to a lot of discussion about what I have read lately, which is a lot of setting-obsessed nonfiction (Desert America, Detroit City Is the Place to Be) and literary fiction (The Fortress of Solitude, Ten Thousand Saints, The Age of Innocence).

Do you look at your published work differently now, knowing your child will read it one day?

No. Once my work is published, I don’t think about it anymore, and learning that I’m expecting hasn’t changed that. I’m also not convinced that my child will read my work. It depends on what kind of reader he turns out to be. That’s ok.

Are you terrified? Admit it. You’re terrified. It’s okay to be terrified. What scares you most about this whole baby-on-the-way thing?

Completely terrified. My doctor handed me a hundred page packet of baby tips in my first trimester that made me feel like I was drowning. It was full of stuff I’d never thought of, like bathing the baby. I mean, I knew I’d have to clean it and all, but never thought about the specifics. The specifics of baby-raising are so numerous and hard to remember. We might just tack up baby instruction sheets around the apartment at first.

You can ask one question of those writers with kids who’ve gone before you. What do you want to know?

Could you name an item you bought for your baby that you didn’t need? I’m at the “everything seems necessary for a newborn” stage and would love to rule things out.

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Posted in parenting, Writer with kids, writing

ARCs! ARCs!

ARCs

Hunh?

ARCs! Advance Reader’s Copies! Ooooh! Look how pretty!

Guys, I’ve been waiting my entire adult life for this milestone. It’s not in its final form yet–which will include fancy French flaps and pretty deckle edges–but my book is book-shaped! And weighty! And very, very real.

I held it together pretty well when I stopped by the Tin House Books office for a meeting and to pick them up, but I’ll admit I cried as I drove home with the ARCs in a box on the seat beside me.

And yeah. ARC giveaway on the blog. Absolutely. Soonish. Stay tuned.

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Writer, with Kids: Sunny Bleckinger

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Sunny Bleckinger worked for five years as a journalist and editor in the Netherlands. He currently hosts the Soft Show reading series and he’s working on his first novel for the third time.

Age of kid: 5

 

What was your writing schedule (ideal and actual) like before kids, and how has that changed?

Before having a kid I wrote whenever I wanted to. I had oodles of time. It seems like an impossibly ideal period of my life, the time I rediscovered writing. I had just moved to Amsterdam, which sounds very romantic, I understand, but in reality it was an escape, a desperate flight, which is too long of a story to get into here. Basically I had saved enough money to buy a one-way ticket to Amsterdam, pay the tuition for one year of art school there, which was similar to the cost of community college here, and live for two months, assuming I’d find some kind of work after getting there. The only steady work I could find was writing journalism for the Amsterdam Weekly, which was not unlike a European version of the Willamette Week or Village Voice. If I wrote enough for them each week, it paid enough to live on, sort of. (there were weeks where I lived on coffee and potatoes. But I was also living in fucking Amsterdam, so it didn’t seem so bad.)

Things went like that for a few years, before getting my dutch girlfriend pregnant. Which was terrifying. In addition to how unstable I was, financially and otherwise, one month after finding out we were pregnant, I got a letter from the Dutch government saying I had to leave the country in thirty days. (I was able to stay after all, but that is also another long story)

Anyway, I guess what I’m trying to say is that when I first glance back, my writing schedule before having a kid seemed ideal because of the expansive freedom of time, but in reality I was regularly mired down by worries over finances and shelter and deadlines for stories I did not want to write but had to, and the result was that the quiet moments, when I was truly quiet inside, were sparse and sporadic.

After having a child, of course, things were not improved. But there’s something about parenthood that pulls you to the ground, especially for someone like myself who easily floats and dreams. Having a child makes your feet heavy, slows you down, forces you to be more careful in your choices.

Currently I have a set schedule of when I write. It changes depending on my day job. I’m now working at a food cart and my kid is in school five days a week. So I have (and this is a very recent change) more time than I’ve had in years for writing: Four days a week I have the whole day to write while my kid is at school.

I’ve noticed however that my lifelong tendency of being creative at night keeps screwing with this new and seemingly ideal schedule. I’ll wake up at 3am, wide awake, start writing, sometimes all throwaway material, sometimes not. Then after taking my son to school I’ll crawl right back into bed. So in some ways things haven’t changed.

 

How do you remain present for your family even when you’re sunk deep into a current project?

I’m not so good at this, to be honest. When I’ve got a day with the kid, he’s an amazing mirror, in many ways. He’ll ask me why I’m talking to myself and tell me that it’s kind of weird. When a five-year-old says you’re acting weird, there’s no better analeptic to pull you out of your own BS, pull you up into a standing position where you interact with the world again. Or sometimes he’ll mimic the sound of someone (me) talking to themself. Which is humiliating in a wonderfully therapeutic way.
Usually, my wife will pour me a heavy beer and then try on three different outfits in front of me. That tends to make me forget everything and want to tackle her (not in a forceful way, I guess I should add, but in a pleasing way with mutual consent usually). In these moments, however, the kid is often still up, and he doesn’t even like to see us hug. So we wait for him to go to bed while pretending not to be waiting for him to go to bed.

The nights where he can’t sleep, because one of his feet is growing for example, those are the worst. I’m either tired or feeling creative and instead of satisfying one of those needs I’m stuck on the couch holding my son while he watches the animated version of Star Wars: Clone Wars. Which isn’t bad. Although, like it’s live-action sibling, this series also has Jar Jar Binks, so there are points of contention.

 

How has parenthood changed the work itself, if at all?

I remember thinking after he was born that I became softer, the hard shell I’d always worn is still kind of there but it’s thinner, and prone to crack. Whether that changed my writing, I can’t say.

 

What is the most challenging aspect of being a working artist and a parent?

I need quite a bit of time alone. Sometimes, and I hope this doesn’t sound like total bullshit, but sometimes I need to be alone and sad. Just some time to sit and wallow. Not much, but every now and then it can be rejuvenating in a hoggish way.

With a kid, that’s often not possible. Although, I have to say, it’s easier than I’d expected to just let go. Sometimes if you’re feeling like shit there’s nothing better than getting on the floor and immersing yourself in a child’s imaginary world. I’m constantly relearning how easy that is. And now that I’ve written that, I wonder, maybe the paragraph above is kind of BS. Maybe I don’t really need to be alone and sad. Or at least, not as much as I thought. I should just play more.

 

Do you have any advice to other writers with kids or who plan to have them?

I’m not shy when it comes to telling people that they should not have kids. Friends will sometimes say, It looks so nice, you with a kid, we’re thinking about having a kid.

And I’ll respond ominously, Don’t do it.

It always comes off as a joke, and people laugh, which is probably for the best, because if they knew how serious I was I might have less friends.

Making another human is, I think, one of the few choices we can make that have lifelong, irreversible consequences. Murder I guess is the other obvious one. Let’s be clear, I’m not comparing breeders and murderers, they’re on opposite spectrums of the good / evil register. But their actions, I think, do have the same weight.

I was going to say, unlike murdering someone, the choice of having a child starts getting easier with time. But I can’t honestly say it’s that way always. Who knows, maybe perfect little Susan becomes a heroin addict at seventeen and her parents deal with that shit for the rest of their lives.

In my case, it has gotten easier each year, especially now that the kid is in school, but the years before that, my god. The amount of energy it took to do those first years well, and I’m not sure how well we did, but we sure as hell tried. And our kid is regularly said to be the happiest when compared to other kids. He’s also the smartest, most athletically inclined, and by far the best looking child, according to professional opinions.

But seriously, to finish the sentence I started three sentences ago, consider the amount of energy it takes to do those first few years well, and then consider what else you could do with that energy besides making and raising another human. Here’s a partial list:

-Design and build an irrigation system for a drought stricken village
-Donate a large milk cow to 573 impoverished families via Heifer International
-Spend 5.7 years traveling the world, enjoying a variety of foods and drugs
-Give hope and funding to 11,662 entrepreneurs across the globe via microloans*

I guess it’s possible to do those things AND have a kid, but most of us, I think, have only enough energy and resources to focus on one or the other, especially if you’re trying to do yet another thing, like be a writer.

For a moment I thought I would end on that line but it seems a little sour. What I’d like to say before stopping is this: as shitty as it is to have and raise children when you’re of limited means, there are countless sparks of magic that remind us why the tonic of love has no earthly peer.

Take today, just fucking today.

I’m trying to get my kid to school, we’re running late and I need to get to work AND I forget that on Wednesdays his class goes for a walk, usually to the park. But for some reason today they’re not at the park and I can’t freaking find them and my kid is starting to cry, saying that he’s too late, he’s too late for school.

And I tell him, Don’t worry, you were doing what today, learning to draw an R? I’ll teach you that tonight. The class will be back soon enough, and in the meantime, I’ve got to get to the food cart and turn on the rice cookers and the grills or I’ll never be open in time. So kiddo, you’re coming with me to work, we’ll get things started, and then we’ll come right back to school and your class will be there, all your friends waiting to play with you, attempts at the letter R on pieces of paper all over the place.

So we do. We go to my food cart and he’s starting to remember that it’s fun to go to dad’s work. I sit him down on the stool and get the food started that needs to start early and he picks up the ticket pad that we use to write down orders and starts drawing. Before drawing on each ticket he announces what he’s drawing and I say something vague like, That sounds great!

“I’m drawing a One Eyed Pirate!”

“That sounds great.”

“Now I’m drawing a Carnosaurus.”

“Great, buddy.”

“Two lightsabers.”

“Awesome.”

“I’m making a dot to dot of a squid.”

“Cool man, I’m all done let’s get you back to school.”

I get him back to school, his friends cheer and I head off to work where I see what he drew and my eyes water up because I’m so in love with this kid and how could I ever consider that my life would be better without him.

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*These numbers are based on the closest actual information I could get, having not looked very long, to be honest. A Reuters article stated that the US government determined the price to raise a child from birth to age eighteen is $291,570. That was in 2007, I’m sure it’s more now. Also, that price tag does not reflect the emotional / physical toll of raising a child, which is, as they say, equal to the raw energy of an entire village. Adding that to the equation requires mathematics beyond my ability.

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Posted in parenting, with Kids, Writer, Writer with kids

Writer, with Kids: John Roderick

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John Roderick: songwriter and singer/guitarist for The Long Winters. His film and music reviews have appeared in The Stranger and he is a frequent contributor to Seattle Weekly. (You might want to check out his most recent article, “Punk Rock Is Bullshit,” which caused quite a stir. I, for one, loved it.)

Age of kids: One kid, age two.

What was your writing schedule (ideal and actual) like before kids, and how has that changed?

My writing schedule has always been whimsical, so having a kid didn’t change it much. I mean, after the ground zero period of the first nine months had passed I went back to writing just as I always had. Mostly I write late into the night. In other words, it’s not my writing schedule that’s changed, it’s my sleeping schedule.

How do you remain present for your family even when you’re sunk deep into a current project?

The challenge for me has been to learn to be present for the baby in ways I never had to be before, full stop. As an artistic person I spent my early adulthood trying to ensure that my lifestyle accommodated my work, and gradually I carved out all the space I needed to be a daydreamer and meanderer. I incorporated my depressive tendencies and odd sleep habits and introverted nature into a way of living that celebrated these traits.

When the baby stopped sleeping so much and started to need me to be present in all these new ways, I felt slow and numb. It wasn’t just that I was tired, it was more that I had NEVER been on a schedule and had worked hard all my life to AVOID being responsible to other people. I was a loner and an artist, right?

The baby needs a kind of engagement that is exhausting to everyone, not just me, but I don’t want to be one of those fathers who retreat to a closed room just to “check out.” So I’m trying to start exercising, just to get air in my lungs and sunlight on my face so my daughter doesn’t grow up with her father constantly under a grey cloud of his own thoughts.

How has parenthood changed the work itself, if at all?

There’s enough time in the day, there really is. I travel a lot, though, and as my kid gets older it’s harder for me to be gone all the time. Musicians all deal with this differently. Some of my buddies have kids and are on tour half the year. I’m trying to strike a balance, which usually means I have the family meet me in NYC or LA at some point on a tour, both to stay connected and also to have them share in my life a little. The fact is, as an entertainer I need to be gone sometimes. It’s just how it is.

What is the most challenging aspect of being a working artist and a parent?

I need to be sure to prioritize making art. The lack of clear “office hours” can make it seem like every day is a weekend, and self-discipline isn’t my strong suit, but getting down to work should be my first priority. I’m no good to my kid if I let my work suffer and my dreams die. The best parenting I can do is to work toward being the best version of myself I can be. My kid is already watching how I live my life, so I want to do it well. That means doing my work, even if it takes me away from her. I don’t have unlimited hours to dick around anymore, so I have to grow up, but in a way that’s not antithetical to who I am. I want my little girl to see that you can make your own way in the world. I want her to see it in practice.

Do you have any advice to other writers with kids or who plan to have them?

Oh, man, the torrent of advice offered to new parents is just a sewer pipe of unsupportable gossip. Even the advice we’ve gotten from doctors is pretty eye-rollingly unhelpful. My experience has been that having a kid is not hard and is rewarding. I waited until I had no more interest in doing drugs and partying before I had a kid, and that has worked out well for us. We don’t waste energy trying to redress the patriarchy in every small action of parenting, either. We just act naturally, which turns out to be ok. Moms do more work than dads and it’s harder for moms, so being a dad is sometimes a supportive role rather than an “in charge” situation.

Having a kid is great. I recommend it.

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Posted in John Roderick, parenting, The Long Winters, with Kids, Writer with kids, writing

Frank Morales speaks about squatting and housing justice

Frank Morales spoke to Occupy Wall Street in November 2011. If you’re interested in squatting and housing rights and what the hell happened to our inner cities and why, do check it out. It’s fascinating. Morales speaks until about the 25:00 mark, and after that fields questions. Yes, the much-debated “theory of spatial deconcentration” comes up.

(A little taste of what I was steeping myself in while writing Revolution. Morales’s name came up over and over in my research.)

Posted in Frank Morales, housing rights, research, squatting, Uncategorized

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